tag:blogger.com,1999:blog-82191155606725954872024-02-07T20:44:56.266-08:00KENNETH DAVIDSON, GlasgowUnknownnoreply@blogger.comBlogger1125tag:blogger.com,1999:blog-8219115560672595487.post-91911501414091390862013-04-05T04:04:00.002-07:002018-07-06T11:34:57.512-07:00<div><font face="Times, Times New Roman" size="24pt">Selected Documentation </font></div>
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<span style="font-size:22px">2018</span>
<p><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWGLRxoBhFjxwIJhnOUUWxCyD5hhqa4YO3QX0uL9Tczeg02AyeTsAEUYuDeIBlOJntsVug_UOYpctemEmkhRF3HGF7WSVv-dFK8g9YDunKpquhY8fCuKmyMYVLSKzjJ6Gn8PeAACMHWKas/s320/IMG_0449.jpg" width="800" height="600" data-original-width="1600" data-original-height="1200" /><span style="font-size:10px"><b>Radical Film Network 1968, Mayday Opening</b>, Glasgow, Citizen M. (May 2018). Photo: Eirene Houston.</p>
<span style="font-size:22px">2017</span>
<p><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTuMRahakTeQxGLKAZgTL9O-E9aDG1IAyHO3zyISJnYSasNQuuO8LfIH7V3W_TNvFnd8_91BHL95vSbIcECOFwG0hnXgjnVQRScSifC1lpfqwqoA25KgpAuGZ7XQ2tLsDgrCTrsIvfWhRY/s1600/tron+glam.jpeg" data-original-width="960" width="800"><span style="font-size:10px"><b>Glasgow Glam Rock Dialogues: 1967</b>, [live cinema / projection], <b>David Archibald</b> and <b>Carl Lavery</b>, Glasgow, Tron. (May 2017). Photo: Julia Bauer </span></p>
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<iframe src="https://archive.org/embed/WaywordsAndMeansignsOpendoorEdition/609.01-609.36-KenDavidson.mp3" allowfullscreen="allowfullscreen" height="30" frameborder="0" width="500"></iframe>
<p> <span style="font-size:10px"><b>Opendoor Edition</b> of <i> Waywords and Meansigns</i>. <a href="http://www.waywordsandmeansigns.com/artists/ken-davidson/">Page 609</a> of <i>Finnegans Wake</i> "set to music". May 2017.</p>
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<p><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr-r99Y4bgeiIIXsvO4QLu_b6pHSCdiZnKdm81rqVRlrFugZ8_psviIkEj6c6kV7RMO75euJXcKd-4LzSrRne9THLOgl86A_3llegQFBdlI6McsJqVPBGVUeiDxFNt61EnAPTv4MIeCKET/s1600/glam3.jpeg" / width="800"><span style="font-size:10px"><b>Glasgow Glam Rock Dialogues: COMMUNE</b>, [live cinema / projection], Gilmorehill, <b>David Archibald</b> and <b>Carl Lavery</b>, Glasgow. (March 2017). Photo: Amparo Fortuny </span></p>
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<span style="font-size:22px">2016</span>
<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8eLhwQbm7_xNfgaKRPRtbJ4r_7QRGteLFxr6NV3fhMsHLBOj9cmYUJ_60fzfmOYigdTepfyI6pFEXtLi4rNGK0OqqWClMJo0YZacUL8yKofjeDxCYSHxq6-uye-dKw9icF8IpBw7-tr1i/s400/IMG_8982.JPG" width="800" height="534" />
<iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/331330724&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false"></iframe>
<p><span style="font-size:10px"><b>Soundtrack Collage</b>, audio performance, Open Studios, <b>AADK</b>, Blanca, Spain. (Residency, November 2016). photo: Rubén Molina</span></p>
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<p><span style="font-size:10px"><b>Description of Cinema</b> @ Radical Film Network Glasgow, live cinema, (April)</span></p>
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<span style="font-size:22px">2015</span>
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<iframe width="800" height="450" src="https://www.youtube.com/embed/UmrzMf1JCXM" frameborder="0" allowfullscreen"></iframe> <p style="font-size:10px"><b>Living Monument, Budapest</b>. András Rényi talks about the Budapest Living Monument. November 2015.</p>
<iframe width="800" height="450" src="https://player.vimeo.com/video/162343884" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> <p style="font-size:10px"><a href="https://vimeo.com/162343884">"Frank Furedi's Keynote Address, Et Cetera" - IETM Bergamo 2015</a> from <a href="https://vimeo.com/kendavidson">kenneth davidson</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
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<span style="font-size:22px">2014</span>
<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfxLX6ODRFg4ojiX5ASbg8ojFflviuzgI2GQRIq2KMVzWGewXRvCYFEpUa-MeI-a_scC0GgspV2pxZC1APImuyyeUAN75stKrfTGdJDwjtMbmm4Gw3VeodP5Z8ql2BDuth3-B6IjC7ephH/s1600/DSCF0167.jpg" width='800'><div style="font-size:11px;font-weight:200"><span style="font-size:10px">(Installation view):<b>2|1|4|1</b> Members Show, December 2014. <i>Old Hairdressers</i>, Renfield Lane, Glasgow. <br>Floral arrangement, balloons and streamers, colour plastic balls, cake pop stick poems. 2 tables with paper cloths. Vase. </span></div>
<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnp0DtYrbKdJZTY2ujFslCYU6alkke-vK2erlMOCoaf6MT9lfFwPAqVXjOFvIdZMI8W7dDjJhmkhsGO2DFiwVYFCxBxuOZiYqfDQTrcc-ZXQZB2kMH7iCEE5MJ01SVU1VUFOlolksOw1Ix/s1600/DSCF0170.jpg" width='800'><div style="font-size:11px;font-weight:200">POP STICK poems</div>
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<img src="https://kdtelephone.files.wordpress.com/2016/02/db9ec-dscf0099.jpg" width="800px" /><div style="font-size:11px;font-weight:200;">(Installation view): <b><i>Écriture Féminine</b></i>, DRAW-IN, 2|!|4|1, St Margaret's House, Edinburgh, July 11 2014</div><img src="https://kdtelephone.files.wordpress.com/2016/02/3eb77-yokohama.jpg" width="800px" /><div style="font-size:11px;font-weight:200;">(Installation view): <b><i>Écriture Féminine</b></i>, DRAW-IN, 2|!|4|1, St Margaret's House, Edinburgh, July 11 2014</div>
<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQk3Js2oNnwXWjXaznGk8V27ekWeipGUgU5K11LZJuQUECIXf-JgbykxwD837RnVof8eL0X57uCcPulODnHBUd9WGz9diJ_3UHluSv_ZzIciQQQWaT39Ik3Ekp1fWpa6hIuoP21DXY2ou/s1600/eurasia.jpg" width="800px">
<div style="font-size:11px;font-weight:200">(Installation view): <b><i>Écriture Féminine</b></i>, DRAW-IN, 2|!|4|1, St Margaret's House, Edinburgh, July 11 2014</div>
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<a href="https://drive.google.com/file/d/0B-9fb1FfEImpOFNXSE12d0JVTnM/edit?usp=sharing" TITLE="article on google drive"><b><i>Wabi Sabi Ichi-go Ichi-e?</b></i></a> Text for <object src="https://drive.google.com/file/d/0B-9fb1FfEImpdHNQSnUtV3V5RWc/edit?usp=sharing" TYPE="application/x-pdf" TITLE="cover from undercurrentsmagazine.tumblr.com"><a href="http://undercurrentsmagazine.tumblr.com/image/89254262742">Undercurrents magazine, IV</a>: Glasgow, April 2014
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Online Articles for 2|1|4|1, pdfs
<a href="https://drive.google.com/open?id=1u9DctxxleCvFerxNsdH3y7jmhlIPG8nF">Cedric Tai / John Nicol, 2013</a>
<a href="https://drive.google.com/open?id=1oa91mSXYTWHXElW-ZseW8n0vau9bFqP_">Petter Yxell, 2013</a>
<a href="https://drive.google.com/open?id=1KqrFVXbMuAw0k-tr-yVbd2xaQmbjs88D">Laurence Figgis, 2013</a>
<a href="https://drive.google.com/open?id=15rRxDUisLW9Bwly5pKufAfGQ8D7J-tLd">Yaka Collective, 2014</a>
<a href="https://drive.google.com/open?id=1psNtraDy-IXds5sdrnyphaB_Hg3YwBV2">Beatriz Santiago Munoz, 2014</a></div>
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<hr size="11px" noshade><span style="font-size:22px">2013</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiNPQrXZP9o7W3rCuc2XJc6HIq3jRI4JQB4h9N4X2Of-vX0SLD_ntXTWu_9myql56MmEGrIgN1H5RD5F42rhrrXx2i88n-CUqUhCrj2jCnpbrHOw2jAu3vZf9AEuZtXe6SsQp77tbB7BD2/s1600/Scanp2.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiNPQrXZP9o7W3rCuc2XJc6HIq3jRI4JQB4h9N4X2Of-vX0SLD_ntXTWu_9myql56MmEGrIgN1H5RD5F42rhrrXx2i88n-CUqUhCrj2jCnpbrHOw2jAu3vZf9AEuZtXe6SsQp77tbB7BD2/s1600/Scanp2.jpg" width='800'></a></br><DIV><span style="font-size:10px;text-align:left">Daniel's Book: Daniel Müller, <b><i>Glasgow Notes</i></b>, Anarchiv Press, 2013.</span></DIV>
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<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhquK8FO0LBoyXn_SFh_KAylRjK08qK1DhfI_JGsOSyCQ8y3GAthygEhk7K6gzn1riCn0gbh_jhyq1LwtbQYRcp8ZVsGCxXx6_QaMKHeu-bOyIBD4Fpv2F_UqBWMhyphenhyphen3r5ATbh0c7Uzv7mNo/w751-h498-no/books.jpg" width='800'/><br /><span style="font-size:10px">
<b>Karaoke City</b> installation @ <b>2|1|4|1</b> launch event. +44.141 Gallery, SWG3, Glasgow, 5-8 September 2013. </span>
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<font face='Times, Times New Roman' size='24pt'>Rough Summary of Things<br>(mostly photos and dates —<br>with some description later on)</font><br>
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<hr size="48pt"><span style="font-size:22px">2012</span>
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<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLBOureBtGfpB1IxBcsYa54Vfaw0EJkJhdg_4SKHIiLkc5f5Kzwcb2Lx9Hqa3fitYXEiVUyN0w7QemHN_yRfl7YKd-gVr7YeDnWVrLxr1QgjOgOz2fosvFUEtgGNZxg-i0hmvPkh8JyzJv/s640/pointmunich.jpg" width="800"><br clear=all>
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THIS IS NOT A PROJECT</b> (for Daniel Müller) <b>MÜNICH/GLASGOW</b> EXCHANGE, <b style='letter-spacing:0.05em;font-weight:600'>TRANSMISSION</b>, Glasgow. <span style='letter-spacing:0.05em'><small>06.23. 2012:06:23 19:51:49</small></span></font>
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<div style='float:left;padding-top:44px'><font style="font-size:70px;letter-spacing:0.42em;font-weight:200" lang="ja" xml:lang="ja">未来 </font><br /><font style="font-size:10px;letter-spacing:0.12em;font-weight:200;text-align:left">E: kndvdsn @ gmail.com<br />BLOG: <a href="http://paperssum.blogspot.com">paperssum.blogspot.com</a> </font></div>
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<hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><br /><br /><br /><br /><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"> <hr style="width:auto;border-top:dashed;border-bottom:dashed;border-width:8px"><br />
<span style="font-size:22px">2011</span>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEierFgb-m_pUVD35Vg91lBNQlJrRaedY-pkjp2oz4frj0fqyITXjCGuy3E_NoM_3MPV8P3i5MH3IV51Lm39VgB-QQPvyNXaq7eEHb4fCNTiSwYEPbo0F7a6Fi0QKHItRHmzWnmAY_AgH6rP/s1600/462523_2968836935977_954362357_o.jpg" width='800'>
<span style="font-family:arial,sans-serif; font-size:11px"><i><b>Reconstructed Text</b></i>, Glasgow, 2011</span>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinRlp5WzTjye7guGXy6Av8H78zGD9oXNAmfYAABF0ZQRIu46DWSS-AN9Kxopu7i3_1C0W_wJn5zgmlf2c80ndAwoN5FsAlM84hiP8m0BTITDSWH8cIjENjm_lGU4-4GUTdWsIeYzlp4tYc/s1600/assyntbelly.jpg" data-original-width="1600" data-original-height="1200" width="800"/></a><p><span style="font-size:10px"> Hungry (Assynt).</span></p>
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<span style="font-size:22px">2010</span>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3tkr4KvXt608ajD3kon0MudSC_99Zsz2_gmRdH4Asv2tmgpB29EWOt5VN02kqATzfIIB3y00B6vCGxUANYeoAeOeJn5WXINW79rr_hh1GcU1ESBNKN0Nwki65WoRIbeYYuzLXYed_2Bei/s1600/Butt+of+Lewis.jpg" data-original-width="1600" data-original-height="1208" width="800"/>
<span style="font-family:arial,sans-serif; font-size:11px">Above Eoropie Beach, Outer Hebrides, June 2010</span>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtPm5cX_t3wJSjHbO7_WoAtg3u1EHVv9WKu_hvx8P8ZgaXNNzhn1G2MsVZuzMOyn0U1yO91Bzxc0D6tRd2c3wg6mgbp6433pXxm_CHeTLj-6hVVtb61JLZs09w77QCLpofhIUYOeg-ayzw/w352-h498-no/nikknikkola2hand+copy.jpg" /><span style="font-size:10px"><i>Nick and Nicola</i>, <b>Black Skull Vol 2</b>, fake comic book covers, 2010</span></td><td> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6RpQiOeB_vVEBmhhX0Z4HH7MsRWermCDIPK1pxy6hc2hAH2kK5gXuuNWExzAhox8d7Mc13lTOjxuetWSh_2hpmqQX76z1j1YtYLiXDwMF8XfPeJHhociQrRDehbAFab-LUl_apF_eBEi0/w352-h498-no/grantb+copy.jpg" /><span style="font-size:10px"><i>Grant</i>, <b>Black Skull Vol 2</b>, fake comic book covers, 2010</span></td></tr>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju5VUDjqvODeXLMAPVEmanbOkhKNgVh1ztTryNHs8iGjS7zPL0vMPwUzLBxosyrs0Ardzch2rBDJWpcV0HBlcc_wTOx2Lzjr-pA18xbhKH5X20uvc-2q4HbFoc3qjJwz3a54xYhGXvo494/w352-h498-no/jimmyskull+copy.jpg" /><span style="font-size:10px"><i>Jimmy</i>, <b>Black Skull Vol 2</b>, fake comic book covers, 2010</span></td><td> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDExMNTcE0PImBwCkpSLYVbACQMqIYCQInNPb_gdisexoT9Tz4-H-6rqgjr_24OJUyFy91x0B3BaMBuczI6SZofH-xXmRp5s59np0sAouxBSP553wIE53Hix8gVBVDcelUJqjVm0nErwJS/w352-h498-no/arlenegrant.jpg" /><span style="font-size:10px"><i>Arlene and Grant</i>, <b>Black Skull Vol 2</b>, fake comic book covers, 2010</span></td></tr>
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<span style="font-size:22px">2008</span>
<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjezzIcZKQFk5fDbTNr0txa0bNOyT4Ynler0QtJZ_J4rXeKYzvhbWNv2yAqz_Gfezbr9MpWOkjVaWnEUWG21f46wxQ2w9qMls07W_CJ7_oQXmZRv-Q6HgJWx0hDtKfqcbGfhErIQroEWVOc/s1600/pavel.JPG" data-original-width="1600" data-original-height="1200" width="800" />
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<p><span style="font-size:10px">Winnings (Pavel).</span></p>
<span style="font-size:22px">2007</span>
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<a href="http://picasaweb.google.co.uk/lh/photo/8X2ePwzfZPWIQDH7tCtBdA?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ4ZlNHpwrYqacxeJ8v2bKvuKqX7A9Zcttg_U1frCUH2wJLiV9rCUeCtB46dJsxQj90AI2vgDLkaSB1jvkY6mVw0tYd4kFs0_2ILEw5hKOB48r7j3Z0WiQJ25LWOFBeruT8NFjS0I61LI/" width="800px"></a>
<span style="font-size:17px;font-face:arial;padding-right:10px;text-align:left"><b>BLACK SKULL</b></span>
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Fake comic book covers, <b>BLACK SKULL</b> (collaboration with Victor Eadie and Alaisdair Smith), Glasgow 2007 — <b>BLACK HISTORY MONTH</b>, 12 covers for imaginary comic book. Public installation at TRON Theatre, Glasgow, 2007.</span>
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<a href="http://picasaweb.google.co.uk/lh/photo/rUz7viGhwdErMJNZDgwWDw?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDgU7ZS719Qa_t9O_qjyZZnjBJzK2r_J1Xj4nGmo9OTAtianqZJGxEs7wrWOH_oUxUsM5W8zF3N7GGgDMyLL5I93lD6mRvb6WO7aAxT6mhX8-1P_6mRU53bM_SU4YNRbwDXMKjVvGNFi-u/s720/IMG_0521.JPG"></a><span style="font-size:10px">SELF_FELT TIP PEN TATTOOS: <b>1984 IS NOT A TEE-SHIRT/THINK YEH YOU</b>, Kansk, Siberia 2007. <b>KANSK FESTIVAL</b>: juror / artist, 2007 (<a href="http://www.festival-cannes.ru/eng">http://www.festival-cannes.ru/eng</a>) </span>
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<iframe src="https://player.vimeo.com/video/14355620?portrait=0" width="800" height="448" frameborder="0"></iframe><p style="font-size:10px"><a href="http://vimeo.com/14355620">Victor Eadie</a>. [10 seconds black at start]. <font face="Courier, Courier New">Victor talks about beating up his best friend. He tattoos himself.</font> Actor and script: Victor Eadie. <span style="font-size:17px;font-face:Arial"><b>VICTOR EADIE</b> </span>(dv, 2007)</p> <br />
<hr size=10><span style="font-size:24px">2006</span><br /><br />
<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Z4dMydL9RBvKuwItHdsJI3vndXVoVmGCUAF2HNMMjfRM-JkbIlqlYCf6AFwz9lB_OD7v-nIFIpb4yPUDe6WRsgFCVPdZ9zBfl3wHylRTXW_3l3FBEtk3RLb8lCFU-PTYn15ppwNwSrsl/s1600/sheepshop+copy+1.jpg" data-original-width="1600" data-original-height="1200" width="800"/><span style="font-size:10px"><i><b>Days Alive</b></i> (digital photography, bleach, silver and gold ink, 2006)</span><br />
<div style="font-size:12px;"><span style="font-size:38px;letter-spacing:0.9em"> <b>[ANIMAL GRAFFITI]</b></span><div style="font-size:10px; border:white dotted 6px;padding:12px">Digital prints (1000mmx700mm) exhibited' (9) <span style="font-size:14px">2006</span>: NATIONAL PLAN, NU PAGODI, London; (8) 13th NOTE, Glasgow; <span style="font-size:14px"> 2005</span>: (7) TRAMWAY, Glasgow \ <span style="font-size:14px"> 2003</span>: (6) 5th StreetLevel Open, Glasgow; (5) 13th Note, Glasgow; (4) Art™, Inverness // online: (3) WebBiennial, Istanbul // <span style="font-size:14px"> 2002</span>: (2) Javamuseum: Netart UK and Eire; (1) SOUND VISION AND YOU, Tokyo. </div> One-on-one: <b size="big">performance/photography</b>, Japan (September-December 2001).</div>
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<hr size=10><span style="font-size:22px">2005</span>
<a href="http://picasaweb.google.co.uk/lh/photo/aVonpF3BHnOedgFzByareA?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig-jnHp9TlrYBNODRbULGAsB_4lFrLGBuZYv_qZiZ03JP7FYIWQgELAbaNW6KvmDCo9Yd54IuyR-UYb0vOs9Z3fO6G7BqYjY0jYpEJ9d2qRG3vwIurSXHO68JHxtQNqqYpSb-2Hu26dV6h/s800/DSC00132.JPG"></a><br /><span style="font-size:10px"><i><b>Artist before Work</b></i>, Kurashiki, Japan, 2001 (2005)</span><br /><span style="font-size:17px"> ANIMALS 2</span>, solo show, 8 digital prints, Glasgow TRAMWAY, November</span> <span style="font-size:10px"><b><i>NEW RIOT (CIA)</i></b>, + 2006; from original.</span>
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<iframe src="https://player.vimeo.com/video/14564194?portrait=0" width="800" height="450" frameborder="0"></iframe><p><a href="http://vimeo.com/14564194"><span style="font-size:10px"><b>Atlas (Mohammed)</b></a>, 2005, from <a href="http://vimeo.com/kendavidson">ken davidson</a> on <a href="http://vimeo.com">Vimeo</a>. Five day walk, Atlas Mountains, Morocco; April 2005. Edit with <b>VITASCOPE</b>.</span></p>
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<br clear=all><br /><br /><div style="width:700px"><br /><h1 style='font-size:24px'>2003</h1><br /><iframe src="https://player.vimeo.com/video/14751306?portrait=0" width="800" height="448" frameborder="0"></iframe><p><a href="http://vimeo.com/14751306"><span style="font-size:11px">kabaret uh-huh, tron theatre, glasgow, 2003</span></a><span style="font-size:10px"> from <a href="http://vimeo.com/kendavidson">ken davidson</a> on <a href="http://vimeo.com">Vimeo</a>. TAM DEAN BURN, <i>AMERICAN FOOTBALL</i> (Pinter, 1991); GREIG WHYTE, <i>SOLO ELECTRO-ACOUSTIC</i>; JOCK SCOTT (w/ SAILORS ASHORE), <i>LIVE SET</i>. LIVE KABARET, GLASGOW 2003. video live mix: <b>vitascope</b>. </span></p>
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<p style="font-size:11px"><span style="font-size:18px">KABARET UH-HUH </span>|||<span style="font-size:10px">(Changing House, Tron Theatre, Glasgow, January-March 2003): 4 programmes of interdisciplinary kabaret involving over 35 participants and multicamera live av: ||||</span> <span style="font-size:16px"> BURNS NIGHT </span> <span style="font-size:10px">| TAM DEAN BURN, NICOLAS BLOOMFIELD, JOCK SCOTT, 5 PIECE HORSE FAMILY, CORA BISSETT. |||| <span style="font-size:16px"> AFTERLIFE NIGHT </span> | TAM DEAN BURN, CORA BISSETT, THE LATVIAN CHORUS, ANNE-MARIE TIMONEY, STEWART PORTER, GREIG WHITE, 5 PIECE HORSE FAMILY, JOCK SCOTT AND SAILORS ASHORE, RALF KAISER (University of Glasgow). ||||</span> <span style="font-size:16px"> AFTERLOVE NIGHT </span>| HOOLIGAN POET, GREIG WHITE, IAN GLASS, TORU TAKEMITSU, FREE RADICALS, DIANE TORR, JOHN CALCUTT (Glasgow School of Art), OPIE. Films from Novosibirsk. |||| <span style="font-size:16px"> AFTERNIGHT NIGHT</span>| JIM DONOHER, HOOLIGAN POET, FLAMENCA FRITAS, FREE RADICALS, STEWART PORTER, BABY DOK COLLECTIVE, PUM, OPIE. Films from VideoDOM (Moscow) and STUDIO U7 (Ekaterinburg).</span></p>
<div style="float:right">Link to feature in <a href="http://living.scotsman.com/features/Things-to-make-you-go.2396364.jp"><i>The Scotsman</i></a> January 2003</div>
<br /><a href="http://picasaweb.google.co.uk/lh/photo/3kue37G32ZM8IWuoqkRNtg?feat=embedwebsite"><img alt="Frame capture from projections for playing of Sky, Horse and Death, Toru Takemitsu, Uh-Huh, 2003; vj:Vitascope" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXn8az0hRefhqyLr57UX_774KQl3jUieTdNQILHh7lONQmPXA7ccV5QyfUBVBmmgabbWqMZ1myHAHUYXho3hlSiz7NzMpgNb6yheYV3wz1gTpIAoAP0rI3NJqq2I5IX1iHMReo7d2GInJz/" width="800"></a><br clear=all><span style="font-size:11px">Frame capture from projections for playing of <i><b>Sky, Horse and Death</b></i>, Toru Takemitsu, <b>UH-HUH,</b> 2003; <b>Vitascope</b></span><br /><hr size=10><br /><a href="http://picasaweb.google.co.uk/kndvdsn/KenDavidsonAssortedImages19932008?feat=embedwebsite#5327472280159637458"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6jYMWcaADfVo7X-mwhR619R0I8XZXcvN1ouYT_3O7eUoE0_oojlzwkpcITFxKYcO7vjXZG9Oo0TVmc0eutFlG5SwOOr1IpjCrt4OuLI2uVaUDASS1YyzEyjpq4W-eaU4-1ItxaRF7yiL4/s800/twocowseye.jpg"></a><br /><span style="font-size:11px"><i><b>Optician's assistants</b></i>, Okayama, Japan 2001 (2003)</span><br /><hr size=10><br /><span style="font-size:17px"> ANIMA¬S</span>, (solo show), Art™, Inverness - 8 digital prints, January - March 2003<br />
<br /><span style="font-size:17px"> CRANIAL TELEPHONE </span> | intervention @ "LEFT BEHIND" Britannia Panopticon Programme (GSA), March 14 2003 | 1st live performance since 1938 at historic, surviving Victorian music hall.<br />
<br /><span style="font-size:17px"> A COSTUME FOR EATING ELEPHANTS </span> | performance @ ICOLS, "IT'S A WONDERFUL LIE" programme, WASPS Studios, Glasgow, February 27 2003 | I AIN'T NEVER SEEN AN ELEPHANT FLY<br />
<hr size=10><br /><h1 style='font-size:24px'>2002 </h1><br />
<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7ZRNcrrDM1o-KMO-Tg9G0JVgreoBwxx_DzsePbpUwToCnbIXtzh5WrsJ1DDJ7-dmbVnzsXL5JraQiOcvk5qO6RoApwPwFp3vVkl38FOt_6lhZVKt-hvOmkLfOvHpcbPS8j-H0yQ8ODjAj/s800/sunshinemovement2_3.jpg" width="800" alt="Sunshine Movement, Grafitto for Kulturdrang Nach Osten, 2002"><br /><span style="font-size:11px; align:left"><i><b>Sunshine Movement</b></i>, Graffito for Kulturdrang Nach Osten, Moscow=>Kansk, 2002</span><br />
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<img alt="Judith Milligan as emblem figure (frame capture from DV documentation, KULTURDRANG NACH OSTEN, Siberia 2002)" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVE0qCB8mWcJJExWDX_6qmXqUrcqD0kbhozb-ylLdlCvusItKRWb219GzPWOEnS6MPJh_KmpPhabSX1oUXSM7rhPc_W9t_rIs-IeaUwcKLvR69bTH4AMAfv5IW6cwbLGst_RBPm_jLgbl/" width="800"><br /><span style="font-size:11px">Judith Milligan as emblem figure (rehearsal — dv frame capture), <b>KULTURDRANG NACH OSTEN</b>, Siberia 2002</span><br /><br /><span style="font-size:17px;text-align:left">1st KANSK VIDEO FESTIVAL | KULTURDRANG NACH OSTEN </span>, Siberia, (VideoDOM, Moscow), 1-15 August 2002: performance artist/ regie/ curator |__________________________________| International media art project touring 50 artists to 5 cities in Siberia on Transiberian Railway: <span style="font-size:16px"><b> MOSCOW/ EKATERINBURG/ NOVOSIBIRSK/ KRASNOYARSK (Museum Na Strelke)/KANSK (1ST KANSK VIDEO FESTIVAL)/ IRKUTSK/ BAIKALSKI</b></span>. UK Film Curator with 2 hours programme of 20 UK Shorts. Direction and interventions for extended performances within Kulturdrang public programmes. Masterclass collaborator for Slava Mizhin. Private and group performance • <a href="http://www.festival-cannes.ru/eng">http://www.festival-cannes.ru/eng</a> <br /><pre style="font-face:monospace">interventions: \<br /> <videorun><br /> *moscow < ------------------- >>><br /> \<br /> \|*Yekaterinburg<br /> \<br /> \ |*Novosibirsk /|*Irkutsk<br /> \ *Krasnoyarsk/_____*Kansk / <br /> ------------------------ <br /> \|*Baikalsk</pre><br /><span style="font-size:10px;line-height:10px">> FILM PROGRAMME (UK): Kansk 2002 > > <u>ANIMATION</u> > <b>A Gentle Breeze Blows By</b>, Riccardo Iacono, 16mm, 1994-1996, 4 minutes 15' > <b>SKZCP</b>, Riccardo Iacono, 16mm, 1997, 3 minutes 10' > <b>Island</b>, Riccardo Iacono, DV, 2001, 2 minutes 4' > <b>Rape of the Arthuropods</b>, Arthur Lager, S8, 1997, 2 minutes 30' > <b>Random Reel</b>, ISO, DV, 2002, 10 x 20' > > <u>EXPERIMENTAL NARRATIVE</u> > <b>The Fastest Film Alive</b>, Arthur Lager, S8, 1987, 3 minutes > <b>Polly Wants A Cracker</b>, Brian Williams, S8, 2000, 12 minutes > <b>Plug Me In</b>, Add (n) to (x), DV, 2000, 32 minutes 10' > <b>Hotel Central</b>, Matt Hulse, DV, 2000, 10 minutes > <b>Polsky Buty</b>, Matt Hulse, S8, 2002, 5 minutes 30' > <b>Below Ground</b>, Peter McCaughey, 35mm, 3 minutes > <b>The Flickering Shimmer</b>, Peter Shayne, 2000, DV, 6 minutes 30' > <b>Zero</b>, Mike Stubbs/Gina Czarnecki, S8, 2001, 5 minutes > > <u>SHORT FORM NARRATIVE</u> > <b>Marcie's Dowry</b>, David MacKenzie, 16mm, 1999, 14 minutes 16' > <b>Cold Light of Day</b>, Zam Zalim, DV, 2002, 5 minutes 30' > <b>The Turning Point</b>, Richard Weeks, 16mm, 2002, 8 minutes > > <u>ALTERNATIVE DOCUMENTARY</u> > <b>Instant Pussy</b>, Arthur Lager, S8, 1996, 2 minutes 30' > <b>Concrete Enema</b>, Gimpo, DV, 1998, 3 minutes 30' > <b>The Skye</b>, Valentina Culpa, S8, 2001, 1 minute 10' > <b>The Truth and the Light</b>, Rob Kennedy, DV, 2000, 5 minutes 45' > <b>Work, Rest and Play</b>, Pictorial Heroes, 1994, 90 minutes > <B>The Moment of Long Now</B>, Juha Huustonen (Finland) 2002, DV PAL, 8 minutes ></span> <br />
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1fipzo7tF6cnFtO2b7xkXoMlNZJJvUQs0yhyphenhypheneSh-_oxhHHhHOBXp3FjOUXEAPAfDWpqcdLk0fhMSgrl2TrJ6LCRPeP-nsDOdzOoXvelQ-P620E1fU8eWYof_7fHet5hX2pHFZkzZ5aZn-/s640/10900031.JPG" width="800"><br clear=all><span style="font-size:11px">Stewart Porter (THE DRIVER) and Chloe Liberty (PATTY HEARST), BABY BABY BABY I LOVE YOU X3, <b>FILM KABARET MUSIK KABARET KUNST</b>, Glasgow 2002. </span><span style="font-size:10px">Photo: Roisin McLoskey<p><a href="http://vimeo.com/14592743">Baby Baby Baby I Love You X3</a>. Street performance outside Glasgow Tron, Chisholm Street. Actors: Stewart Porter, Tam Dean Burn, Chloe Liberty, Inge Stuckman. "The kidnapping of Patty Hearst."</p></span><br clear=all><br /><span style="font-size:17px">FILM KABARET MUSIC KABARET KUNST</span> <span style="font-size:10px">* <b>ALEX RIGG</b> performed a brief Buto dance on Glasgow Cross. * <b>VILNIUS</b>, a Latvian refugee played some songs on the guitar before the audience entered. * Actor, <b>IAN GLASS</b> read an extract from BINGO AND PACHINKO (Ken Davidson, 2001-2002). * Actor, writer and translator, <b>JIM DONOHER</b> performed SEVEN SHADES OF BROWN (Donoher) with a heavily pregnant Latvian friend, Olga and her seven year old daughter, Consuela. * <b>THE FREE RADICALS</b> (a 2-piece rock and roll group) performed new music. Performers gave incidental walk-ons. * Actor, <b>TAM DEAN BURN</b> and actor, <b>ANNE-MARIE TIMONEY</b> performed<span style="font-size:14px"> C20 BYE BYE ETERNITY 8 TIMES ONE LIKE I SAID</span> (Davidson, 1999). * <b>GREIG (EARL) WHITE</b> played assorted electro-acoustic instruments. * Dancers, <b>CHLOE LIBERTY, INGE STUCKMANN and AYANDA TRUFFLE</b> (Glasgow Truffle Club) performed adapted extracts from BINGO AND PACHINKO (Davidson, 2001-2002). * <b>THE LATVIAN CHORUS</b>, 3 Latvian Roma refugees performed Roma music and song. * <b>APE/X</b>, a Glasgow 5-piece art music group performed with own projection and live vision mix. * A fake film shoot (camera: DAVID BYRNE) <span style="font-size:14px">BABY BABY BABY I LOVE YOU X3 </span>was staged at the end of the evening across twenty minutes in Chisholm Street outside the windows of the Tron Bar with <b>a blue Mercedes, Tam Dean Burn, Stewart Porter, Chloe Liberty and Inge Stuckmann (Truffle Club)</b>. *<b> SIMON RICHARDSON (VJ VITASCOPE)</b> vision mixed camera feeds until the final set. *</span>
<br /><hr size=10><br /><br /><h1 style='font-size:24px'>2001</h1><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibhBf6TDuJTIsEPKaBf2qHKJii1_OFxoYJEKfNjKv1sY_KPbvZNZJ78NWtXwqzEU7U5ATym9NUNXuPYVVokohWa_0zdKZa5f7Np17STQ2G5TaQewXQsVGK31Cog86ZjNXPSyMVbQoacuaX/"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibhBf6TDuJTIsEPKaBf2qHKJii1_OFxoYJEKfNjKv1sY_KPbvZNZJ78NWtXwqzEU7U5ATym9NUNXuPYVVokohWa_0zdKZa5f7Np17STQ2G5TaQewXQsVGK31Cog86ZjNXPSyMVbQoacuaX/" border="0" width="700px" alt="Schoolgirls"></a><br /><span style="font-size:11px"><b><i>Schoolgirls</i></b>, Okayama, Japan 2001</span><br />
<br /><span style="font-size:17px">ANIMAL GRAFFITI</span><br><span> | one-on-one performance, Japan, September - December 2001. </span><br /><br /><hr size=10><br /><br /><br /><iframe src="https://player.vimeo.com/video/14576318?portrait=0" width="800" height="448" frameborder="0"></iframe><p style="font-size:11px"><a href="http://vimeo.com/14576318">Masks</a> from <a href="http://vimeo.com/kendavidson">ken davidson</a> on <a href="http://vimeo.com">Vimeo</a>. Crash edit: digital stills, one-on-one performance photography, (Japanese) strangers in animal masks. Okayama, 2001. </p><br /><br /><br />
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<span style="font-size:17px">PAST EVE AND ADAM'S</span>, <br><b>|1028|</b>, Glasgow TRAMWAY, January 2001 <br>| <b>production, installation and direction</b>
<table style="width:auto;"><tr><td><a href="https://picasaweb.google.com/lh/photo/EIPMWKV31AvfRXad1vmnhg?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF3xAqotVKFSpoBYatLN39Z_BjnZjZKIbvv_RIhi-A_9VbibGdthBEQqdG15CjUj-W90HWUuCuAM2hbpp0xjdfoE6oG6jecjmVKYnJI73crJxd4f7RckRJl5bZMoxnAYJlmfk4H-l_AxvU/s800/pastmontage.JPG" height="476" width="800" /></a></td></tr><tr><td style="font-size:11px">Photoshop montage, <b>past Eve and Adam's</b>, TRAMWAY, Glasgow, February 2001 </td></tr> <tr><td style="font-family:arial,sans-serif; font-size:11px; text-align:right"></td></tr></table><br />
<br /></div><br /><hr size=10 width="300px" align="left"><div style="width:700px"><br /><h1 style='font-size:24px'>2000</h1><br /><br />10/2000: (installation)<span style="font-size:17px"> MOSCOW GRAVEYARD</span>, New Foundry, London<br />
<a href="https://picasaweb.google.com/lh/photo/GqVDR7YFzDbyhZey37nSYw?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGWHD2qJhTGm-krwws5Zvv0vsbI_63hf3AL0X00NXu-uoLjwv_dJ8r1w-obEIdNagBm1IIEC-13e_ncTDgTTiKwW4mqxXBI86nshGoiTkc0V7BMCl37iDNqxTyx7jRS1F0GxsQG1cJwveg/s800/Kenny_2.jpg" height="800" width="512" /></a> <br><span style="font-size:11px">Studios in Moscow, <b>FOUNDRY/DOM</b>, 2000. Photo: Tracey Moberley</span>
<br /><br />9/2000: (director)<span style="font-size:17px">CIRCUS NIGHT<sub>FOUR ®ING ©I®©U$, $HEEP + B¬òW UP (FAKE)</sub></span>, DOM, Moscow<br />8/2000: (performance) <span style="font-size:17px">THE PAVEMENT IS EXPLODING </span>, New Foundry, London<br /><hr size="10" width="300px" align="left"><br /><a href="http://picasaweb.google.co.uk/lh/photo/psgfOgjVR04zMy8E9THwbA?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBqSPDJUGt0g_gNmkozvkdDYUPWVF5MpNnFgSeYKggNvXd8xZpYN8Hb2-7ZOoTgVKsXSBUeE1tAKlIspuvoovTxbvXVnuGOnSfQknn0k6J4PPHkhpGicnrOpxa3y5bAveShYMbZ954L5JG/s800/morelightmorepower_3.jpg"></a><br clear=all><br /><span style="font-size:11px">GLASGOW WEEKEND: <b><i>More Light More Power</i></b>, New Foundry, London EC2, June 2000. </span><span style="font-size:10px">Photo: Bonieventure Bagalue</span><br /><hr size="10" width="300px" align="left"><br />6/2000: (storytelling) <span style="font-size:17px">BINGO, PACHINKO, RP22, CORKY & THE 525</span>, New Foundry, London<br />6/2000 (curator/performance) <span style="font-size:17px">GLASGOW WEEKEND </span> New Foundry, London <br /><br /></div><br /><hr size=40><div style="width:700px;align:left"><div style="font-size:123px;padding:5px;float:left"><font face="Times New Roman,Times" >→</font></div><br /><div style="font-size:163px;padding:8px;float:right">⊗</div></div><font face="Arial,Helvetica"><br /><span style="font-size:28px;letter-spacing:0.1em"><a name="genetic"></a>(GENETIC) <big>FINNEGANS WAKE</big>, <span style="letter-spacing:0.2em;font-weight:bold;font-size:17px">|1028|</span>, 1991-2001</span><br /></font><br /><iframe src="https://player.vimeo.com/video/14533547?portrait=0" width="800" height="448" frameborder="0"></iframe><p><a href="http://vimeo.com/14533547"><span style="font-size:11px"><b><i>past Eve and Adam's</i></b></a>. <b>Site-specific</b>. Mime. A horse, a cat, and a chicken. <u>ACTORS</u>: Tam Dean Burn; Diana Payne Myers; Derwent Watson; Martin Doherty; Carmel Stoney; James Donoher; Daniel Donoher; David MacKenzie; Tom Carruthers. MUSIC DIRECTION: John Cobban. TECHNICAL: Paul Sorley. Duration of performance: 40 minutes. Source: <i>Finnegans Wake</i> (1939), Chapter 1.</span></p>
<hr size=80><br><font face="Times New Roman,Times" ><span style="font-size:16px;letter-spacing:0.2em"><br />With ex-National and London Theatre Group actor, Tam Dean Burn between 1991 and 2001, <b>Process [Ten28]</b> produced and staged 9 site-specific performances of (genetically serial) single chapters from James Joyce's classic <i>Work-In-Progress</i> / <span style="font-size:17px;letter-spacing:0.42em"><b>Finnegans Wake</b></span> (London: <i>Faber and Faber</i>, 1939): GENETIC WAKE. </span><span style="font-size:13px;letter-spacing:0.22em"> Project documentation exhibited: London (Clerkenwell Literary Festival, 1999); Glasgow (STREETWORKS 1998, FLY 1 1997); and Rumania (MEDIUM 4 1997).<br /></span><br /></font><br /><div style="float:right;padding-left:22px"><a href="http://performansist.blogspot.com/p/wake-reviews.html"><b>— PRESS REVIEWS</b></a></div><br clear=all><br /><br /> <h1>1028 (1993-2001) </h1><br />
<h2>Background: Genetic Wake</h2> <div style="800px"><font style="font-size:18px;letter-spacing:0.29em"><OL TYPE="I" START="1"><br /> <LI>Serial performance project, roughly mirroring 1923-27 publication and compositional orders in <i>Finnegans Wake</i> (James Joyce; London, 1939); ie. '<u>genetic readings</u>'.<br /><br /> <LI>'Unrepeatable' actions and events; ie. to do with '<U>ritual</u>' and '<U>corporeal mime</U>'.<br /><br /> <LI><i style="font-size:18px;letter-spacing:0.29em"> Site-specific. </i> <br /><br /> <LI>Productions were staged 1993-1996 and 2001. Documentation was exhibited, 1997 - 2000.</OL></font><br /> <br /><HR noshade SIZE="2"><br /> <br /><h2>Exhibitions 1997-2000</h2><br /><p><U>New Foundry</U> GLASGOW WEEKEND, London, June 2000 - <B>MORE LIGHT MORE POWER</B>; <U>New Foundry</U> Gallery, London, August 1999 - <B>documentation, « Hill »</B>; Clerkenwell Literary Festival, <U>TARDIS</U>, London, July 1999 - <B>documentation, «Hill»</B>; Streetworks Festival, <U>Street Level Photoworks</U>, Glasgow, October 1998 - <B>«plein air» </B>; FLY 1, <U>FLY Gallery</U>, Glasgow, July 1997 - <B>soundtrack / installation «Themes from Mr Porter» </B>; <U>MEDIUM 4</U>, Sf. Gheorge, Rumania, May - September 1997 - <B>sound and publicity</B> </p><br /><font style="font-size:14px;letter-spacing:0.19em"><h2>Performances 1993-2001</h2><br />
<p style="font-size:12px"> <b style="font-size:18px">,_past Eve and Adam's,_</b> Glasgow <U>TRAMWAY Theatre</U>, February 1 - 3 2001 — St Bride's Day (50') // <b style="font-size:18px">Lessons</b> <U>BAC</U> London, March 26-28 1996 (25') // <b style="font-size:18px">Mr Porter</b> Glasgow <U>TRAMWAY Theatre</U>, September 21 - 23 1995 (70') // <b style="font-size:18px">Hill</b> <U>Black Wood</U>, Castlemilk, Glasgow, June 21 1995 (June 16 - July 1) — Midsummer's Night's Eve (60') // <b style="font-size:18px">Shem</b> Cleveland Performance Art Festival, <U>Colonial Arcade Ballroom Store</U>, Ohio, USA, April 15 1995 — Holy Saturday (25') // <b style="font-size:18px">Bright New Day</b> National Review of Live Art, <U>The Arches</U>, Glasgow, October 28 1994 (8hr) // <b style="font-size:18px">Fragment of an Unpublished Work</b> <U>MEDIUM 3</U>, Sf Gheorghe, July 26 1994 (2hr 15') // <b style="font-size:18px">Here Comes Everybody</b> Glasgow <U>TRAMWAY Theatre</U>, 17-22 May 1994 (70') // <b style="font-size:18px">FWII.4(12:383-399):1923-39</b> Glasgow <U>TRAMWAY Theatre</U>, 8-11 October 1993 (4hr 30") — anniversaries of Joyce and Nora's elopement</p></font><br /><br /><HR noshade SIZE="2"></div><br /><div style="font-face:Times, Times New Roman;font-size:12px"><a href="http://picasaweb.google.co.uk/lh/photo/DumssVFehDSLRqeSe_dsOw?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5_Cv6MSKkI1N5cHquQbvQp_ALotaCHzd568nAVXdAUGkEinXDWqvJSJkRZoTF9aX3OeHZbO2UpsRdbgcWtLXghy5fqkwy7pDa6ClHA3kVWGWkEM6mrl_dRzN4HrUCIx5vStGBzKQecq10/" width="800"></a><br /><div style="font-size:9px">Surtitler, frame capture from dv documentation.</div><br />→ <b style="font-size:24px"><i>past Eve and Adam's</i></b>, TRAMWAY, Glasgow 2001.<br /><h6 align="left">Glasgow TRAMWAY. Performances on 36 tonnes of sand, with 6 cases of Guinness, a cat, a chicken and a horse.</h6>
<h3 style="paddding-left:44px">Upturned chairs and tables. A chicken. A man staggers and falls over, a drunk. A boy enters. Another man enters and removes a Union Jack. Others come: a maid carrying objects; a woman in a fur coat and with a cat; three more men all in black — one in bowler. Detritus is cleared: a table, chairs, a clock; a ship's figurehead. The company sit at the red stage wall; the woman with cat before a mirror. The maid continuing. Child exits. A policeman and a horse enter. The horse rolls on the ground. The drunk man stands up and collapses. The policeman leads away the horse. The maid comes forward to feed the chicken. The woman in fur coat searches through the pockets of the collapsed drunk. One of the men sets out small, toy soldiers in the sand. The maid drips flames across the ground. There is a conversation. A door lowers from above. A chair before the door. The drunk on the chair. The bowler-hatted man. A solitary man looks on. The maid again, with fire. The horse upstage. The drunk behind the door. The door rises. The drunk man steps forward and falls. <i>Edenborough</i>.</h3> <h6>Source: Opening Pages of a Work in Progress (transition 1, 1927 - <a href="http://www.trentu.ca/faculty/jjoyce/F1-1.htm" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''" target="_blank">FWI.1</a>). Actors: Tam Dean Burn; Diana Payne Myers; Derwent Watson; Martin Doherty; Carmel Stoney; James Donoher; Daniel Donoher; David MacKenzie; Tom Carruthers. Music Direction: John Cobban. Technical Collaboration/LX Operation: Paul Sorley. Duration of performance: 40 minutes.</h6><br /><br />
<a href="http://picasaweb.google.co.uk/lh/photo/Pg7NUoRuSjF4k1S6JdOC5Q?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigcuzi5bk9eMcXE95NcxwyVMhIS34_CotQ21sQx4TrmLhWmo0DKyxw7hNXcq7aMvf5y5ZFRVx78kzeTTYPEQr0xHtb2oKFG5QMhVLCqb2ZOSv3KDtMXfq8booZt9L1nKRUBYxF3laeWeYo/s800/skytamlcns.jpg"></a><br /><iframe src="//player.vimeo.com/video/81802287" width="800" height="448" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><b>Lessons</b>, BAC, 1996. Camera: Andrew Louis Jones. — <tt>Digitised: December, 2013. </tt></p>
<div style="font-size:9px">Skye McDade Burn, SHEM/SHAUN; Tam Dean Burn, EARWICKER.</div><br />→<i><b style="font-size:24px">Lessons</b></i>, BAC, London 1996.<H6>Battersea Arts Centre, <b>BAC</b> London - Irish Festival. Performances at twilight in dirt courtyard of long established London experimental theatre venue</H6><H3 style="paddding-left:44px">A dirt courtyard. Slate. Black outs. A boy counts time on his fingers, and with the wings of a metal lion. A girl on a mirror, kneels. A man from a slatepile staggers to railings. He lights and smokes a cigarette, staggers again and falls over. The boy moulds clay in the dirt. The girl raises her skirts. Her <i>pubis</i>. The girl and the boy, play. Flowers. The man is motionless. The girl stands. The boy throws cards into the air. The man exits through stairs in the ground.</H3><H6>Source: <i>The Muddest Thick Ever Heard Dump</i> incunabula, (<a href="http://www.trentu.ca/faculty/jjoyce/F2-2.htm" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''" target="_blank">FWII.2</a>). Actors: Tam Dean Burn; Skye MacDade-Burn; Loeïza Marig Jacq. Duration of performance: 25 minutes</H6><br /><br /><a href="http://picasaweb.google.co.uk/lh/photo/6nrLYgFVMGetlG_uIs3EwA?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqMPz4u5I0QK-zpio_wPyfNA-G_q50LJo-EJs2sXY7k5qkBUt7ULNFy16tADps3LS009qFvO-FjdhDO1tk1mUnoYxIn9DGyskuxb230lKJSkjrBLtkhv0F8z6nYHx9iuFoboQv8rxcx0HX/s800/port+erscrn.jpg"></a><br /><div style="font-size:9px">Composite image: Loeiza Marig Jacq, ISSY; Tam Dean Burn, SHAUN</div><br />→ <i><b style="font-size:24px">Mr Porter</b></i>, Tramway, Glasgow 1995.<H6><a target="_blank" href="http://www.tramway.org">TRAMWAY</a> (1), Glasgow. Proscenium. A 6' hole excavated through concrete venue stage floor.</H6><h3 style="paddding-left:44px">A man and a girl. A mirror. A dressing table. A sack of potatoes. A whisky barrel. Apples, oranges and pears. Books. A leg of ham. Flowers. Water falling from the roof. Fire. A grave. Himself. Mime.</H3><H6>Source: <i>Shaun abcd</i> incunabula, <a href="http://www.trentu.ca/faculty/jjoyce/F3-1.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">(FWIII)</a> Actors: Tam Dean Burn; Loeïza Marig Jacq. Soundtrack/Technical collaboration: John Laurie Cobban. Duration of performance: 60 minutes</H6><br /> <br /><a href="http://picasaweb.google.co.uk/lh/photo/gk4nDrqeH85eKTpHN_Erpg?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizjXE21iP35W1QaEKNNwZfF8m-HeM-RhTLCrB8dYSda1GEsVZl7fLqbS0kONClYkvmWP3gOJvRIRnM4vc90jUcMu3uY3PbP10s1MI1vNbk_CqvOhgVQZ1aKEGwgp4U9xjOxVo5zTKFxpf2/s800/montage.jpg"></a><br /><div style="font-size:9px">Composite image: Oliver and Anders Rigg, MICK AND NICK; Tam Dean Burn, EARWICKER. <br />Digital print, (120x180cm) on MDF board, 1998; — <i>Foundry Collection</i>.</div><br />→ <i><b style="font-size:24px">Hill</b></i>, Glasgow 1995. <H6>Evening walk through <B>Black Wood</B>, Cathkin Brae, Castlemilk overlooking Glasgow City limits on Midsummer Night's Eve.</H6><H3 style="paddding-left:44px">Midsummer's Night's Eve. A suitcase. A man. A donkey. Two boys; the elder with sword, silver angel wings. A wood. Flowers. With donkey, the man climbs a hill. The elder boy in advance. The brim of the hill. Dusk. The city. A stage above the wood. A table to eat oysters. Guinness. A toy trumpet. A fire on the table. <i>— Wind and sunset</i>.</H3><H6>Source: <i>Shaun a</i> incunabula, (<a href="http://www.trentu.ca/faculty/jjoyce/F3-1.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">FWIII.1</a>). Actors: Tam Dean Burn; Oliver (4) and Anders Rigg (2 yrs); a donkey. Duration of performance: 60 minutes. <a href="http://www.independent.co.uk/arts-entertainment/a-midsummer-wake-1586711.html">Independent, preview article</a>.</H6>
<br /><a href="http://picasaweb.google.co.uk/lh/photo/iCWK09FnThY0uEJeyx6dKw?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-n_O_ofbUWW2HzKkxRmHCvMG8DFm4phBWcJBp2DZKqPuK_VKXGSwbMdXpdpY90C1JIfGRG0BaJAtRxnkWQzuORCXdAvT_ZqkURm1887gW7pE8F3Q-_zAxflDkgyr8dzXSUkjY3nVlTEm-/s800/skye-pipe.jpg" width="800"></a><div style="font-size:9px">Skye MacDade Burn, SHEM.</div><iframe src="//player.vimeo.com/video/81233445" width="800" height="448" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> <p style="font-size"11px"><b>Erie [SHEM]</b>, 1995. Cleveland Performance Art Festival, OH, USA. Camera: Valerie Ayzenberg. — <tt>Digitised: December, 2013. </tt></p>
<br /> <br />→ <i><b style="font-size:24px">Shem</b></i>, Cleveland, OH, USA 1995.<H6>Found space at Colonial Arcade Ballroom - storeroom. 8th Annual <a href="http://www.performance-art.org" target="_blank">Cleveland Performance Art Festival</a>, Ohio, USA.</H6><H3 style="paddding-left:44px">A boy switches lights on in an unused store room. He moves pipes on the floor. Plywood boards conceal a cupboard. From the cupboard, the boy drags his father out across the floor. He empties grapefruit from a suitcase and seats himself on his father's body to eat a fruit. He switches the lights off and exits. His father stands up and switches the lights back on. He adjusts his eyes.</H3><H6>Source: <i>SHEM the Penman</i>, <a href="http://www.trentu.ca/faculty/jjoyce/F1-7.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">FW I.7</a>. Characters: E/<tt>SHEM</tt>. Actors: Tam Dean Burn; Skye MacDade-Burn. Duration of performance: 25 minutes</H6><br /><br /><a href="http://picasaweb.google.co.uk/lh/photo/H56Dmcl4trEezz7OzTBvEw?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNXNhoupfNWbwWhM891odTyAvqILedhjQrvdjDdyVQ-YsFzONoHti90_vgS1Ny2nlO0Q5u-ILHF8yRgqxVx0yoeS_H_7tjhR5IFPQvCL-8kDsFSumkUSOw-88KZGnv_MGodaIb3_Noz6Pg/" width="800"></a><br clear=all><div style="font-size:9px">Tam Dean Burn, EARWICKER (JOYCE).</div><br />→ <i><b style="font-size:24px">Bright New Day</b></i>, NRLA, Arches, Glasgow 1994.<br /><H6> <a href="http://www.pads.ahds.ac.uk/NrlaPads/p/96_ProcessTen.html" target="_blank">National Review of Live Art</a>, <a href="http://www.thearches.co.uk" target="_blank" onmouseover="window.status='the Arches, Glasgow';return true" onmouseout="window.status=''">The Arches</a>, Glasgow. Time-based installation: 365 wet clay bricks holding 111 gallons of water. </H6><H3 style="paddding-left:44px">A pool of water of 111 gallons formed by 365 wet clay bricks. A woman. The woman exits. A man. On separate occasions the man enters and exits from <i>offstage</i>. He leaves measurement devices and tools at the edge of the pool and across 8 hours also carries buckets of water to replenish evaporation He stands still in the light. There is a blue panel. Whisky. Flowers. The man stands on the water. Noise. A violin lesson. The woman reappears.</H3><H6>Source: <i>Anna Livia Plurabelle</i>, <a href="http://www.trentu.ca/faculty/jjoyce/F1-8.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">FW I.8</a>. Actors: Tam Dean Burn; Pene Herman-Smith. Technical collaboration: John Laurie Cobban. Duration of performance: 8 hours</H6><br /><br /><a href="http://picasaweb.google.co.uk/lh/photo/eSFuUsAWY-9JeWgcS0ofKg?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTzBnHvfkuFFK2DJpUinpWktZ9Gy2V7a4qyicmFfrqvlWh4hJNt2Qn9bpVenr4yaeb2CwcHodR3IXjwXAx6euaB8CDIf7EKkUt8ZLr7rpXoDClqdlDAWCcKgUp5C8mqiHdlNWIG_9LNmvm/s800/lcnsfraag.jpg"></a><br /><iframe src="//player.vimeo.com/video/82392687" width="800" height="448" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> <p><a href="http://vimeo.com/82392687">The Hen (Fragment of an Unpublished Work), Medium3 TrenchArt Festival, Sf Gheorghe, Rumania, 1994</a> from <a href="http://vimeo.com/kendavidson">kenneth davidson</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<div style="font-size:9px">Tam Dean Burn, HCE(JOYCE). </div><br />→ <i><b style="font-size:24px">The Hen/Fragment from an Unpublished Work</b></i>, MEDIUM 3, Rumania 1994.<br /><H6><B>MEDIUM 3</B> TRENCH ART FESTIVAL, Transylvania (RUMANIA). A walk from a hilltop cemetery to the stage of a state town theatre.</H6><H3 style="paddding-left:44px"> A girl asleep in a cemetery. There is a chicken. A man has a sickle. He walks through the town beneath the cemetery. Graves. Pen and ink. Notes. A map. The iron fire curtain falls <i>in teatro</i>. 78 rpm discs. A picnic gramophone. Flowers. Compasses. The man starts a fire.</H3><H6>Source: <i>The Hen</i>/<i>The Letter</i>, <a href="http://www.trentu.ca/faculty/jjoyce/F1-5.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">FWI.5</a>. Actors: Tam Dean Burn; Ekaterina (volunteer). Duration of performance: 110 minutes</H6><br /><br /><br /><a href="http://picasaweb.google.co.uk/lh/photo/n6lnk1wsxZsuQ2DCE3TTnA?feat=embedwebsite"><img src="https://lh6.ggpht.com/_9wZ_0uzgQCU/SSvtpnNoevI/AAAAAAAAAQg/xUWWLRJ1_Nw/hce1.jpg" width="800"></a><br /><div style="font-size:9px">Tam Dean Burn, EARWICKER (JOYCE).</div> <br />→ <i><b style="font-size:24px">Here Comes Everybody</b></i>, TRAMWAY, Glasgow 1994. <H6>Derelict Workshop Space (5), <a href="http://www.tramway.org" target="_blank" >TRAMWAY</a>, Glasgow. A field of wheat 100m<sup>2</sup>.</H6><H3 style="paddding-left:44px">A field of wheat. Bric-a-brac. Birdsong. A woman and a man. A wall. The day sky. The sky at night. The man stands. He gathers a sickle to hand and starts a fire. He lowers his trousers. The woman tries to stop him. They dance. The man dons a beard. He climbs a ladder, sickle in hand. The man falls.</H3><H6>Source: <i>Here Comes Everybody</i>, (<a href="http://www.trentu.ca/faculty/jjoyce/F1-2.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">FW I.2</a>). Actors: Tam Dean Burn; Pene Herman-Smith. Technical collaboration/Soundtrack: John Laurie Cobban. Lighting Operation: Tim Barker. Duration of performance: 50 minutes</H6><br /><br /><a href="http://picasaweb.google.co.uk/lh/photo/4toJ3lfOYaB6_srdMDoprQ?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcOdD5k5PLX-qy_ayyzWuScVOBva49gZ2co6s0kbspS4mjXtCrmkoWYUEn6wVCDx-bp5Jq2H8PUCd8w5M_oixr0akdvSutFDGmel5k7aXBS5xH-KVgUKbN-HLe2qJdyqs2wUbsOSx5Na9S/s800/stillfwg_3.jpg"></a><br /><div style="font-size:9px">Installation view; Tam Dean Burn, EARWICKER/MAMALUJO.</div><br />→ <i><b style="font-size:24px">FWII.4(12:383-399):1923-39</b></i>, Tramway, Glasgow 1993. <H6> Staged nightly at twilight between the anniversaries of Joyce and Nora's elopement from Dublin and the consummation of their love in Zürich three days later (October 8-11 1904).</H6><H3 style="paddding-left:44px">A man. A desk. Twilight. Museum displays. Books. Packaging. Papers. Records. Shadows. China. Flame. 24 tonnes of sand.</H3><H6>Source: <i>From Work in Progress</i> (1924), (<a href="http://www.trentu.ca/faculty/jjoyce/F2-4.htm" target="_blank" onmouseover="window.status='off-site link to text';return true" onmouseout="window.status=''">FW II.4</a>). Actor: Tam Dean Burn. Technical collaboration /Soundtrack: John Laurie Cobban. Lighting Operation: Brian Donaldson. Duration of performance: 270 minutes.</H6><br /></div><br /><hr size=40><br /><br /><div style="width:840px"><br />
<h1 style='font-size:24px'>SELECTED CREDITS</h1>
<div style="font-size:10px">
5/2018 <span style="font-size:10px"><b>Radical Film Network 1968, Mayday Opening</b>, Glasgow, Citizen M. </span><br>
12/2017 <span style="font-size:10px"> <b>Glasgow Glam Rock Dialogues: 1967</b>, David Archibald and Carl Lavery, Old Hairdressers, Glasgow. [live cinema / projection].</span><br>
9/2017 <span style="font-size:10px"> <b>Glasgow Glam Rock Dialogues: 1967</b>, David Archibald and Carl Lavery, Oran Mor, Glasgow. [live cinema / projection].</span><br>
5/2017 <span style="font-size:10px"> <b>Glasgow Glam Rock Dialogues: 1967</b>, David Archibald and Carl Lavery, Tron (Victorian Bar), Glasgow. [live cinema / projection].</span><br>
3/2017 <span style="font-size:10px"> <b>Glasgow Glam Rock Dialogues: COMMUNE</b>, David Archibald and Carl Lavery, Gilmorehill, Glasgow. [live cinema / projection].</span><br>
11/2016 <span style="font-size:10px">Residency, <b>AADK</b>, Spain</span>, (audio)<br>
<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYyBpCPldpDOM906B4-q6voRlV3G_4z8uHCeiNMwg_uO_uA36gjMOroAenEBVCt4immHvHj4L6qRw5pI42r71O5Zzjb03WG3QFlu83j_4ySuWeZzNsQvQPHuJGHAblqKox756sZ1uY6Fsj/s400/fully_automated.jpg" width="700" height="700" /><br clear=all>
10/2016 <span style="font-size:10px"><b>Glasgow Glam Rock Dialogues: COMMUNE</b>, ("live cinema" for scripted discussion performed by David Archibald and Carl Lavery), CCA and GSA, Glasgow</span><br>
10/2016 <span style="font-size:10px">Living Monument, Budapest</span>, (video)<br>
4/2016 <span style="font-size:10px">Description of Cinema (live AV)</span>, <b>Radical Film Network Glasgow</b>, STUC<br>
9/2015 <span style="font-size:10px">Frank Furedi's Keynote Address, Etc</span> (video)<br>
12/2014: <span style="font-size:10px"><b>DYED PUSSY WILLOW, BIRCH, THISTLES, FOLIAGE & POP STICK POEMS</b></span>, <b>2|1|4|1</b> <i>Members Show</i>, Old Hairdressers, Renfield Lane, Glasgow <br>
7/2014:<span style="font-size:10px">Écriture Féminine</span>, live performance and installation @ <b>2|1|4|1</b> Draw-In, St Margaret's House, Edinburgh<br /> 4/2014: <span style="font-size:10px"><a href="https://drive.google.com/file/d/0B-9fb1FfEImpOFNXSE12d0JVTnM/edit?usp=sharing">Wabi-Sabi, Ichi-go, Ichi-e?</a></span>, text for Undercurrents 4<br /> 3-4/2014 <span style="font-size:10px">Deal Going on with the Girls (text)</span> at Cedric Tai, <b>We Need More ________!</b>, Simone DeSousa Gallery, Detroit, USA<br />9/2013:<span style="font-size:14px"> Deal Going on with the Girls</span>, reading; and installation @ <b>2|1|4|1</b> launch event. Poetry Club and Gallery, SWG3, Glasgow <br />
6/2013: <span style="font-size:10px"><b>Jerry and Tom and Spike & the TVC15</b></span>, reading @ PRISMism, Transmission, Glasgow<br />5/2013:<span style="font-size:10px"> <b><i>Et in Arcadia Ego Sum</i></b></span>; reading @ <b>'Forbidden Art Festival'</b>, Ibrox, Glasgow</span>
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3/2013: <span style="font-size:10px"><b> Karaoke Text</b></span>, reading @ Hopkins Street Disturbance, <b>C-R-U-X</b>, ZeroOne Gallery, London W1 <br />6/2012: <span style="font-size:14px"> Sunset Cruising</span>, (for Daniel Müller), reading @ Münich/Glasgow Exchange, Transmission, Glasgow<br />
<hr size="10"><br />1/2010: (artist/producer / fake comic book covers) <span style="font-size:10px"> BLACK SKULL Vol 2</span>, 13th Note, Glasgow<br />1-3/2009: (documentation included in) <b>SNAPSHOTS</b>, GOMA, Glasgow<br />12/2007: (performance) <span style="font-size:10px">VIDEO MUMMY</span>, Glasgow School of Art<br />10/2007: (artist/producer / fake comic book covers) <span style="font-size:10px"> BLACK SKULL </span>, Tron, Glasgow<br />9/2007: (producer/director) <span style="font-size:10px"> PRESS KABARET </span>, Gramofon, Glasgow<br /><hr size="10" width="300px" align="left"> <br /><br /><a href="http://picasaweb.google.co.uk/lh/photo/KeaaVPtcIEYrdWhyDQkI5A?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ815LzPIueDlWbDlUce-NqG3b41o9KSlfmF5rPytFkNe9-PyKiwGHslbscfSESrtmA_ukIzN2Q_bNZJsIbglJH60Rr3NQJteFuXbmVn48-wxksmh6_uQJ9uRa739YQnWNV48_v_5pOiXj/s800/IMG_0309.JPG"></a><br />Chalk grafitti, Kansk, Siberia 2007<br /><hr size="10" width="300px" align="left"> <br />9/2007: (artist and jury) <span style="font-size:10px"> KANSK FESTIVAL </span>, Siberia<br />8/2007: (filmmaker) <span style="font-size:14px"> VICTOR EADIE </span>, dv<br />11/2006: (artist) <span style="font-size:14px"> GIRL IN PARTS </span>, digital prints, 13th Note, Glasgow<br />10/2006: (club performance) <span style="font-size:14px">POLICEMAN, COWBOY & BALLOONS</span>, Italian Centre, Glasgow<br /><hr size="10" width="300px" align="left"> <br /><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0PwYOZV5ryktEKAjF6f5ObbHoZFqNElcaVhAsKn9duxFcnZ0PU0ls1qXnnHOblQCXZgz4s1jGgCJmsPq_F2t7HPkEirHvFeLrKjCReHoEOU_9VSFTgHeeRxIjfpdSiKAIadDwOuLOk6ok/s800/DSCF0435.JPG" height="600" width="800" /><br />Pavel with €uros, still, 2006<br /><hr size="10" width="300px" align="left"><br />10/2006: (filmmaker) <span style="font-size:14px"> HOME MOVIE </span>, dv<br /><hr size="10" width="300px" align="left"> <br /><a href="http://picasaweb.google.co.uk/lh/photo/i4HtnQadAQb5ZKWD_LkJ2g?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimdW3jQWtzL_1fY1TK9pQ6pmPSHztYqL9rI4mCYGYZpvxnRdocoobRV38ZPn4AL2U-3D7TIQ7BDf8qhn1Tno29A84lmb1yMW-KbT6kqUYMsBc_pmGfaz7J9yh5ZYjqpCM5ncg5zoCaCFF9/" width="800"></a><br />Alan, COWBOY FILM, 2006<br /><hr size="10" width="300px" align="left"> <br />8/2006: (filmmaker) <span style="font-size:14px">COWBOY FILM</span>, dv<br /><hr size="10" width="300px" align="left"> <br /><a href="http://picasaweb.google.co.uk/lh/photo/VdqApeAAlAO7i8BbjqgAIw?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpN2em3hB237fOEO2V4BEUxpe8k-BRKKLk_alCj6_oB28l6u1o6j20fan6MB8T-_uaJE7ntB6OCSxFfOV7JMiaA7FGOIyJA-C7GWyX61iL-Jnklexc9FqGYSQjXNDLct19W7up9A2ukHO/s800/Untitled-3_1.jpg"></a><br />BEATNIK, GO ON TAKE EVERYTHING, digital print, bleach and ink, 2006.
<hr size="10" width="300px" align="left"> <br />3/2006+: (artist) <span style="font-size:14px"> ANIMAL GRAFFITI </span>, NU POGODI (Collection), London, E1 London<br />3/2006: (artist) ANIMAL GRAFFITI, 13TH NOTE, Glasgow<br />11/2005: (artist) <span style="font-size:14px"> ANIMALS 2</span>, solo exhibition, digital prints, TRAMWAY, Glasgow <br />5/2005: (filmmaker) <span style="font-size:14px"> ATLAS [MOHAMMED]</span>, Document 3, Glasgow & Kansk 5, Siberia<br />
9/2004: (illustrator) <span style="font-size:14px"> JOURNEY OF A BRAVE LITTLE MOUSE</span>; Glasgow Social Work book: HALT PROJECT<br />2/2004: (NRLA Winter School/Richard Layzell) <span style="font-size:14px"> LINES WRITTEN IN CHALK ON THE TRON</span>, Tron, Glasgow<br />10/2003: (contributor) Catalogue Notes, Gavin Turk, <span style="font-size:14px"> THE GOLDEN THREAD</span>, White Cube, London N1<br />9/2003: (storytelling) RINGO AND SPIKE, New Foundry, London<br />6/2003: (artist) ANIMALS + HUMANS, KEN DAVIDSON, 13th Note, Glasgow<br />4/2003: (artist) 5th STREET LEVEL OPEN, StreetLevel Photoworks, Glasgow<br />3/2003:(performance) <span style="font-size:14px"> CRANIAL TELEPHONE</span>, BRITANNIA PANOPTICON, Glasgow <br />2/2003: (performance) <span style="font-size:14px"> COSTUME FOR EATING ELEPHANTS</span>, ICOLS, WASPS Studios, Glasgow<br />1-3/2003: (curator, producer, director: 3 kabarets) <span style="font-size:14px"> KABARET UH-HUH</span>, Tron Theatre, Glasgow<br />1-3/2003: (artist)<span style="font-size:14px"> ANIMA¬S</span>, Art™, Inverness - 8 digital prints<br />9/2002: (artist - chalk graffiti) <span style="font-size:14px"> TAILLE D'ESPRIT</span>, Transmission Gallery, Glasgow<br />8/2002: (storytelling) Resonance 104.4 FM: <span style="font-size:14px"> THE KEYS TO HEAVEN </span>, New Foundry, London EC2<br /><hr size="10" width="300px" align="left"> <br /><a href="http://picasaweb.google.co.uk/lh/photo/6pPHk2CAdanGQnitjuUGBA?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhNSfxCbmt7rmuY8_LxJwzmrlGcBq4A22vp2LCrqWr4k0_EjEspEGxDBZLCdZe-0MSeVgNYhrGzuyAH28LWM0OtrqlGNuwOOZXgVXqTvD_dGsFR-oZGQS5PiatZBgbkOeJGR0Slk26U6FB/s800/CNV00055.JPG"></a><br />Interactive performance photography, KULTURDRANG NACH OSTEN, Lake Baikal, Siberia 2002<br /><hr size="10" width="300px" align="left"> <br /><a href="http://picasaweb.google.co.uk/lh/photo/yguF79C3TJst6G-hme0fEQ?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2DWBz6ZuAOvIuCWQrkS_nkLT2ulu0dw-6vkYrr-wwBxbIe-ZdWaVzLyfjmGTlIP5GKQpyUXlNpLk_HZ7L_L0kHFBGy69FXqRbuxHe_QzWJ11qHBUAGooGgCfhvb7I1rnf0QOQDw-Kyrp9/s800/CNV00074%20copy.JPG"></a><br />Artists and carriage, KULTURDRANG NACH OSTEN, SIberia 2002<br /><hr size="10" width="300px" align="left"><br />8/2002: (artist/direction/UK film curator) <span style="font-size:14px"> KULTURDRANG NACH OSTEN </span>, Siberia<br />7/2002: (animal photographs broadcast from internet @) <span style="font-size:14px"> SOUND VISION AND YOU</span>, Tokyo<br /><hr size="10" width="300px" align="left"><br /><a href="http://picasaweb.google.co.uk/lh/photo/bCuQDiK0SvfJRgUNzvbirQ?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNwba1x_dMgcyO7SgtGaBv5oT0QBavdOocUDrB_KMA8Q4TM2pymp-lPPB8ttwNEswDrWSuEDF0A7dYkbPXCoKhMCyE1XbSiYoDHtr8Rnos6U3eNMWnB9mFe1dx54QW9EGQQS3KAjwVR6cz/" width="800"></a><br />Sandra, ROMA MUSIC from Vilnius, FILM KABARET MUSIK KABARET KUNST, Tron, Glasgow 2002 <small> [frame capture ] </small> <br /><hr size="10" width="300px" align="left"><br />6/2002: (curator/producer/director) <span style="font-size:14px"> FILM KABARET MUSIK KABARET KUNST </span>, Tron Theatre, Glasgow<br />2/2001: (producer/director) |1028| <span style="font-size:14px"> PAST EVE AND ADAM'S </span>, TRAMWAY, Glasgow<br />10/2000: (installation) <span style="font-size:14px"> MOSCOW GRAVEYARD </span>, New Foundry, London<br />9/2000: (performance) <span style="font-size:14px"> CIRCUS NIGHT<sub>FOUR ®ING ©I®©U$, $HEEP + B¬òW UP (FAKE)</sub></span>, DOM, Moscow<br />8/2000: (performance) <span style="font-size:14px"> THE PAVEMENT IS EXPLODING</span>, New Foundry, London<br />7/2000: (stall installation) <a href="http://www.hibrow.tv/curators/index.html?id=7">SUPERNOVA</a>: HARRY POTTER PLATFORM 9¾, King's Cross, London<br /><br /><hr size="10" width="300px" align="left"><br /><a href="http://picasaweb.google.co.uk/lh/photo/sm96bQRNfpNLDnEnYd8sCA?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7gDHTe9XNSFu4a18lxibC5K06SK84cOofZwB6IJyM7G5uVF9jFOY_OLrf7hyphenhyphen3rMxF_lbpV_shhpYSGrXoy_bx9FnQnGT2H5GC71ch0-J04G0APo3MT53xgx-hPhIcZQOdSmfNXZgXz7Uu/s800/glasgow_weekend.jpg"></a><br />Poster, GLASGOW WEEKEND, Foundry, London 2000<br /><hr size="10" width="300px" align="left"><br /><iframe src="https://player.vimeo.com/video/4104612?portrait=0" width="800" height="448" frameborder="0"></iframe><p><a href="http://vimeo.com/4104612">More Light More Power, Glasgow Weekend, New Foundry London EC2, 2000</a> from <a href="http://vimeo.com/kendavidson">ken davidson</a> on <a href="http://vimeo.com">Vimeo</a>.</p><p>A horse walks into a bar. Curator/producer/director: Ken Davidson. Camera: Jamie Rory Lucy. Edit: Ken Davidson & Chris Bowman.</p> </p><br />6/2000 (curator/performance) <span style="font-size:14px"> GLASGOW WEEKEND</span> (<a href="http://www.foundry.tv/glasgow">+</a>), FOUNDRY, London <br />6/2000: (storytelling) BINGO, PACHINKO, RP22, CORKY & THE 525, FOUNDRY, London<br />12/1999: (script/director) <span style="font-size:12px"> <b><small>C20 BYE BYE ETERNITY EIGHT TIMES ONE LIKE I SAID</small></b></span>, Scala, London<br />11/1999: (editor) ZAOUM THEATRE: 60 WATT MACBETH, Kuwait/London; dir. Sulleyman Al-Bassam<br />8-10/1999: (director - 3D digital animation) <span style="font-size:14px">EYE</span>, Voyeurism, Archaos, Glasgow <br />9/1999: (artist) DOCUMENTATION (HILL) — <i>Foundry Collection</i>, New Foundry, London EC2<br />8/1999: (artist) <span style="font-size:14px">DOCUMENTATION (HILL)</span>, <b>Clerkenwell Literary Festival</b>, Tardis, London EC1<br />4/1999-6/2000: (consultant) Sara Jean Couzens: SPELLBOUND, Archaos, Glasgow + Scala, London<br />1-8/1999: (consultant) BUDAPEST MERLIN THEATRE: LAODAEMIA, Scottish International, Edinburgh<br />11/1998: (filmmaker) <span style="font-size:14px"><b>FABPARK, A PLAYGROUND IN POSSILPARK</b></span> (DV; HHA, Glasgow 1999)<br />10/1998: (producer/director) <span style="font-size:14px"> BANG BANG</span>, STREETWORKS, Glasgow - broadcast on RTBF<br />10/1998: (artist) documentation: FRAGMENT | HILL, Street Level Photoworks, Glasgow<br /><hr size="10" width="300px" align="left"><br /><iframe width="800" height="450" src="https://www.youtube.com/embed/lw0LxhuO4Xo" frameborder="0" allowfullscreen></iframe><br />NITE CO, Digital Summer/ISEA98, Manchester, 1998<br /><hr size="10" width="300px" align="left"><br />9/1998: (co-producer/public art — with Jamie Burroughs) <span style="font-size:14px"> NITE CO</span>, ISEA98, Manchester Arndale Centre<br />8/1998: (co-producer/2nd unit camera) <span style="font-size:14px">STRANGERS</span> (DV, Sue Denim/Gods of the Plague), Mecca, Gallowgate, Glasgow<br />7/1998: (club performance) Love Boutique: <span style="font-size:14px"><small><b>JOE GRIMALDI 2</b></small></span>, The Arches, Glasgow<br />5/1998: (artiste) Conspiracy: <span style="font-size:14px">JOE GRIMALDI 1</span>, BAC, London<br />2/1998: (collaborator) <span style="font-size:14px"> CONCRETE ENEMA </span>(dv, dir. Gimpo)<br />11/1997: (production consultant): CONSPIRACY: C21, <b>VIBE BAR</b>, Truman's, London E1<br />11/1997: (performance) Le Rat Noir: <span style="font-size:14px">BALLAD OF THE OLD DEAD DOG</span>, Giles Havergal's flat, Glasgow<br />11/1997: (book launch /associate) ARTHROB/••• ellipsis:<span style="font-size:14px"><b><small>K FOUNDATION BURN £1m</b></small></span>, Atlantis, London; 13th Note Club, Glasgow + (performance) ELVIS AND MONEY; Atlantis, London<br /><hr size="10" width="300px" align="left"><br /><a href="http://picasaweb.google.co.uk/lh/photo/eev8g5wy4xWsOQr35m-sDg?feat=embedwebsite"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz1r_tH2wazI5lFKLYiXKGR-n23hX_Dw0vpFixDj21Iiops62ygB4N3ETjr-KvH7IKaVETdc0NV6jJT_KgYTzMdVo3s3u5ylcQtGo8BzHur9HmpzY5nznSCuT2TK01kBpJlitVoc5dfZt2/s800/Themes.jpg"></a><br />Themes from Mr Porter, Installation at FLY1 (tarmac, concrete moulds, water; sound system with soundtrack to <i><u>Mr Porter</u></i>), Fly Gallery, Glasgow, 1997. Photo: Alisdair Smith<br /><hr size="10" width="300px" align="left"><br />7/1997: (installation) <span style="font-size:14px">THEMES FROM MR PORTER</span>, <b>FLY 1</b>: DAVIDSON / DONALDSON / WRIGHT, Fly Gallery, Glasgow<br />5-10/1997: (artist) DOCUMENTATION: WAKE, Medium 4, Sf. Gheorghe, Rumania<br />10/1996: (performance — 8 hour monologue) <span style="font-size:14px"> JONESTOWN</span>, NRLA, The Arches, Glasgow<br />9/1996: (producer/director/libretto) Zoe Alambicum: <span style="font-size:14px"> ARETOLOGY OF KYME <small><b>(CUMÆ)</b></small></span>, TRAMWAY, Glasgow<br />8/1996: (club performance) A PHOTOGRAPH (FOR MADONNA), Speigeltent, Edinburgh<br />5/1996: (consultant) <a href="https://en.wikipedia.org/wiki/Arthrob">ARTHROB</a>, London - new literature agency<br />3/1996: (producer/director) |1028| <span style="font-size:14px"> LESSONS</span>, BAC, London<br /><hr size="10" width="300px" align="left"><br /><br />12/1995: (club performance) <span style="font-size:14px"> A PHOTOGRAPH (FOR MADONNA)</span>, Archaos, Glasgow<br />11/1995: (performer) Peter McCaughey: X MARKS THE SPOT, Hunterian Museum, Glasgow<br />9/1995: (performer) Alex Rigg: HOUSE LIKE SKIN, SSA, Royal Scottish Academy, Edinburgh<br />9/1995: (producer/director) |1028| <span style="font-size:14px"> MR PORTER</span>, Tramway, Glasgow<br />8/1995: (curator) <b>NEW SCOTTISH VIDEO (Iacona, Grierson, Yuill)</b>, DAMAGE, Edinburgh Fringe<br /><hr size="10" width="300px" align="left"><br /><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD5tKBHOrGY4UidW6uTqmmzzsi7tyEAH-wVQseuCX7DPRw0u4teSO9vvA-ax6qYqWkFL5Ft0jL6tu6g6RBlOVxiE8MfP9qzcJWXGZo-YopZeqEQHpoq8prnusNs59OQY9aRbXQA2nEe5i8/s640/hill2001.jpg" width="640" height="252" /><br />Hill, Castlemilk, Glasgow 1995<br /><hr size="10" width="300px" align="left"><br />6/1995: (producer/director) |1028| <span style="font-size:14px"> HILL</span>, Glasgow city limits<br />6/1995: (club performance) <b>Love Boutique</b>: VIRGIN + FIRE, The Arches, Glasgow<br />4/1995: (performer) <span style="font-size:14px">BELTANE FIRE FESTIVAL</span>, Calton Hill, Edinburgh<br />3/1995: (producer/director) |1028| <span style="font-size:14px"> SHEM</span>, Cleveland Performance Art Festival, OH, USA<br />12/1994: (club performance) <b>Love Boutique</b>: ICON OF VIRGIN, The Arches, Glasgow<br />11/1994: (club performance) <b>Love Boutique</b>: <span style="font-size:14px">(HOW TO WEAR) CINDY SHERMAN</span>, Arches, Glasgow <br />11/1994: (performance) Marc Hawker/Nation: <span style="font-size:14px">BLIND</span>, 99 Gallery, Glasgow<br />10/1994: (producer/director) |1028| <span style="font-size:14px"> BRIGHT NEW DAY</span>, NRLA, Arches, Glasgow<br />9/1994: (actor, DRUNK) THREE STEPS TO HEAVEN (dir: Constantine Gianarris; Mayavision, 1995)<br />7/1994: (producer/director) |1028| <span style="font-size:14px"> FRAGMENT FROM AN UNPUBLISHED WORK</span>, Medium 3, Sf Gheorghe, Rumania<br />5/1994: (producer/director) |1028| <span style="font-size:14px"> HERE COMES EVERYBODY</span>, Tramway, Glasgow<br />4/1994: (performer)<span style="font-size:14px"> BELTANE FIRE FESTIVAL</span>, Calton Hill, Edinburgh<br />12/1993: (club performance) <span style="font-size:14px"><b>UNIVERSITY OF SLOVENIA</b></span>; Slovenia Benefit, The Vaults, Edinburgh<br /><hr size="10" width="300px" align="left">10/1993: (producer/director) |1028| <span style="font-size:14px"> FWII.4(12:383-399):1923-39</span>, Tramway, Glasgow<br />7/1993: (club performance) Riccardo Iacona, NOTES ON DRESS, The Tunnel, Glasgow<br />4/1993: (performer) <span style="font-size:14px">BELTANE FIRE FESTIVAL</span>, Calton Hill, Edinburgh<br />4/1993: (club performance) HOW YOU LOOK TONIGHT, Industria, Glasgow<br />2/1993: (club performance) OBSERVATION, Industria, Glasgow<br />1/1993: (club performance) MICHELANGELO PISTOLETTO, Industria, Glasgow<br />12/1992: (club performance) <span style="font-size:14px"><b>OH NO, LOVE, YOU'RE NOT ALONE</b></span>, EFFV Festival, The Vaults, Edinburgh<br />11/1992: (installation) <b>NIGHT WITH JOHNNIE</b>, CCA, Glasgow<br />10-11/1992: (choreography & performance), <span style="font-size:14px">[12]</span>, Dundee Arts Centre, Turriff Academy, Aberdeen Lemon Tree<br />4/1992: (performer) <span style="font-size:14px">BELTANE FIRE FESTIVAL</span>, Calton Hill, Edinburgh<br />3/1992: (club performance) WATER & LIGHT, <b>NVA</b> Blast Off, The Arches, Glasgow<br />3/1992: (choreographer) LIFT, Dancebase, Edinburgh<br />10-11/1991: (performer) Liz Rankine, <span style="font-size:14px">OOOH!</span>, Perth Scone, Aberdeen Lemon Tree, Oxford Pegasus, Bristol Arnolfini<br />10/1991: (club performance) (FLOWER) KING, Network, Paisley<br />8/1991: (club performance) GLASS, <b>Desert Storm</b>, Easterhouse<br />8/1991: (director and performer) ADAM AND EVE, Tron Changing House, Glasgow<br />6/1991: (performance) Eggh, <span style="font-size:14px">TEXT FOR LOVE</span>, Glasgow School of Art<br />4/1991: (performer) <span style="font-size:14px">BELTANE FIRE FESTIVAL</span>, Calton Hill, Edinburgh<br />3/1991: (performance) <span style="font-size:14px"> KAFKA'S THE BURROW</span>, {with Vincent Vaseur}, Gianni Piacentinni's Living Room Project, Glasgow<br />2/1991: (performer) Liz Rankine: <span style="font-size:14px">OOOH!</span>, Glasgow Third Eye<br />12/1990: (choreography) TURNING, SPINNING AND HOPPING, <b>ID</b>, People's Palace, Glasgow<br />11/1990: (performed lecture) WEARING CLOTHES, MA Design, Glasgow School of Art<br />10/1990: (performer) Manact: <span style="font-size:14px">THE SWEATLODGE</span>, Tramway Theatre, Glasgow<br />9/1990: (performer & production assistant / model) Test Department: <span style="font-size:14px">THE SECOND COMING</span>, St Rollox, Glasgow<br />8/1990: (filmmaker) <span style="font-size:14px">SILENT</span> (16mm), Edinburgh Film Festival and Glasgow Film Theatre<br />5/1990: (performer) Peter McCaughey: <span style="font-size:14px">THE CLASSIC BLUE LAGOON</span>, <i>'The Classic'</i>, Renfield Street, Glasgow<br />4/1990: (performer) <span style="font-size:14px">BELTANE FIRE FESTIVAL</span>, Calton Hill, Edinburgh<br />11/1989-09/1990: (resident artist) <span style="font-size:14px"> UFO Club</span>, Tin Pan Alley, Mitchell Lane, Glasgow <br /></div><br /><br /<br />
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<div style="border: solid 1px;font-size:6px;letter-spacing:0.1em;padding:12px"><big>Grant Awarded</big> <br /> <b>KABARET UH-HUH</b>, Glasgow City Council (Glasgow, 2002, 2003) / <b>KULTURDRANG NACH OSTEN</b>, Scottish Arts Council (Siberia, 2002) / <i><b>GENETIC (FINNEGANS) WAKE </b></i>, Scottish Arts Council (1993, 1994, 1995, 1999); Glasgow City Council (1994, 1995); Tramway Theatre (commissions, 1993, 1994, 1995, 2001), National Review of Live Art (commission, 1994); British Council (1995), Embassy for the Government of Rumania (1994); French Institute, Glasgow (1993-1995) / <b>FOU® ®ING ©IR©U$</b>, Scottish Arts Council (Moscow , 2000) / <b>NITE CO</b>, Northwest Arts (Manchester 1998)/ <b>INVISIBLE PERFORMANCE </b>, Glasgow City Council (Glasgow, 1998)/ <b>LOTUS/The Aretology of Kyme (CUMÆ) </b>, Scottish Arts Council and Tramway Theatre (Glasgow, 1996)<br /></div></div><br /></font>
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